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After 30 years working with cloth, I find myself increasingly drawn to wool in fibre form. I thought some research was in order, so trotted off to the craft magazines section at the Wellington public library. I was immediately drawn to the image of a rug made of little woollen squares. The article described the rug as being the product of a “Weave-It” loom, a hand-held wooden frame with metal pins along each edge. It also recalled the perfect comforting warmth provided by a such a rug – then ended by saying the looms are no longer made and nearly impossible to find in second hand stores.
I decided this was a wool fibre technique I had to try, so I turned to the internet to track down one of these looms. On www.masez.com I found an image of the sort of rug I had read about in the library, and a picture of the “famous hand loom”. So simple, frugal and functional, and last manufactured in the time before zip codes. The more remote my chances of acquiring such a loom became, the more my longing increased.
Then I found www.eloomanation.com, complete with .pdf files of 1936 pattern books for garments made from four inch squares. The site was running a competition; the prize: an original Weave-it loom set, with both four inch and two inch frames (and a Hello Kitty tin!).
Given the quality of the weaving on the site, I thought my chance of winning this prize was slim. Nothing for it but to trawl the shops. By now I had heard of plastic versions, and had seen ones with wooden and metal pins. I wasn’t entirely sure what to ask for. Hooray for Goldings Handcrafts, stockists of a recreation of the Weave-it loom, from the Lacis Company. It is fairly primitive: a square of high density polystyrene, a vial of metal pins, and a card of graph paper.
The packaging also included a most appealing little pamphlet with instructions for a matinee jacket and a doll, which felt more achievable than a swagger coat…
Following the ‘walk before you run’ principle, I made a cushion cover! I used two solid colours and one variegated in various combinations. My edges are not as neat as the ones illustrated, so I rediscovered the joys of the crochet hook as a means of firming things up.
And that crochet hook led me to thinking about vintage crochet patterns (having made a truly horrible scarf and a slightly misshapen beanie in the first flush of excitement). These are not as common as the knitting patterns so wittily celebrated by Douglas Lloyd-Jenkins at the Hanging by a Thread symposium (see Fran’s summary here), but equally fabulous.
Once I have woven enough four inch squares for a coat, I am threatening to crochet this suit.